Monday, September 14, 2015

J. Scobes Silence in Speech and Music

I was very intrigued by the newest reading's focus on silence as a means of expression, one that is often stronger than sound. In the beginning of the section, one of the passages that spoke most to me was "the recognition of the area of shadow in or around the work is the initial moment of criticism" (pg. 15). I think that what the text is getting at is that criticism begins the moment we stop focusing on what something is and begin focus on what it could be or what it is not. 

Later, the text discusses silence as a means of shaping speech and "as a source of expression" (pg. 17). In reading the text, I could not help but to go beyond speech and think about silence as it pertains to music as well. As you will learn about me, I am a firm believer that music is just as strong of a communication tool as speech, simply because music is able to capture raw emotion and tell stories in way words cannot. In the documentary, Classic Albums: Pink Floyd - The Making of The Dark Side of the Moon there us a very powerful interview where the band explains that through playing together they had discovered that their music was more about the notes that they did not play – “the shadows”, if you will. They utilize extensive open space throughout the album, and the music would not tell the same story if they filled those auditory voids with lyrics or notes. Through casting these “shadows,” the band allows the listener to focus on those shadows and find the meaning of the work in what is not.

Here is a link to the documentary:

Here is a link to the album in its entirety:

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